“Tiny lines of cotton that hold the world together,” said my grandfather, but he would — he was a romantic.
He wanted me to see what he saw, romance, adventure, creation.
“A woman comes to me with a dream. I never ask what that dream is, but I know it lingers beneath the request. I need a dress for a formal occasion, might translate into, My husband is losing interest in me, and I want to knock his socks off.
Or maybe the lady is trying to impress the other women in her circle — that’s serious business, or so I have been told.”
I was twelve when this conversation took place, and within a year my grandfather would be found in his workroom, needle in hand, the life having ebbed out of him. No one said he had a smile on his face, but I’d like to think so.
“The customers I love are the ones who come to me because they want to please themselves. They know they are beautiful and they realise that the clothes I make for them complement their beauty and poise. From the time they step in the front door of my shop we are engaged in a dance. A creative dance. They don’t spell everything out for me, I’m expected to participate, do my part. When I have made the garment and done the final fitting, we both know that the dance is coming to an end. The exceptional customers participate in a denouement — they let me know if the garment had the desired effect. I love it when they prolong the dance.”
I was way too young to understand the undercurrents of my grandfather’s observations, but I guess he hoped that his words would stay with me, ring in my ears at a later date.
It was never my intention to go into the family business. I could think of nothing worse than being confined in a shop fussing over women with more money than sense.
I rebelled and left home as soon as I was able. I travelled and worked and soaked up life until I thought I might burst.
Every time I saw a beautiful woman I examined her clothes — off the rack or made to measure — you can always tell.
I remember the look I got from a girl in Paris when she caught me examining the stitching on her skirt. She wasn’t wearing it at the time. She wasn’t wearing anything at all, and neither was I. We were taking a break during a long session of lovemaking on an autumn afternoon. The view from her apartment was stunning, and the sight of her was equally so, but I could not resist the urge to find out how well her clothes were made.
“Have you checked the hems to see if there is anything hidden in them,” I said.
“No, why would I?” she said.
“Some old school dressmakers will hide little things like tiny pieces of paper with something inscribed, or a fragment of ancient cloth. They feel it personalises their work.”
The naked lady thought I was marginally less crazy after my explanation and we continued to tangle erotically for several more months until she left me for a trumpet player. I minded, but I got over it and continued my travels.
Whenever the money ran out, I would seek employment, and on more than one occasion I got work at bespoke dressmakers — not the usual job for a young man, but I had my family’s name, and it opened a few doors, even if I did end up sweeping more often than designing and sewing.
I didn’t care; I was free.
The Telegram caught up with me when I was staying in a provincial city in Spain. My father had died, and my mother was distraught.
It took me a few days to get back home, but they waited for me.
After the funeral, while everyone was eating little sandwich triangles and drowning their sorrows, I went to my father’s shop, the same shop that my grandfather had owned. The gold letters on the glass door spelled out my family name.
The rest you can probably work out for yourself.
Your dress is now complete. I hope you are happy with the work?
I know it is none of my business, but I was wondering why you wanted me to make it for you?
“I don’t need another dress. I just like spending time in your shop without igniting the gossips. Does my admission shock you? Have I ruined our friendship?”
Not at all, but you might want to take the dress off.
You wouldn’t want to get it all wrinkled.
Painting by Jack Vettriano